the bells that still can ring

 

Ring the bells that still can ring. . . .

~Leonard Cohen

 

 

 

 

No winter lasts forever

 

No winter lasts forever;
no spring skips its turn.

~Hal Borland, (1900 – 1978)

 

all we were born to do

There are hearts to be found in quiet places… Here are a few I’ve photographed recently.

A lilac heart.

 

A sweet woodruff heart.

 

Bleeding hearts.

 

A yarrow heart.

 

I think passing love around
Is all we were born to do.

~Michael McDonald

 

May your day be touched by love.

Spring

Twinkling like the morning star along a quiet trail near our home, a bloodroot unfurls delicate petals…

As I was scrolling through my photo archives this morning, this image called to mind a simple line of poetry I whisper to myself each year. I’m posting it here to celebrate the joyous arrival of the vernal equinox. xo

Nothing is so beautiful as Spring —

~Gerard Manley Hopkins, (1844 – 1889)

like pearls slipping off a string

I believe the nicest and sweetest days are not those on which anything very splendid
or wonderful or exciting happens. But just those that bring simple little pleasures,
following one another softly, like pearls slipping off a string.

~L. M. Montgomery, (1874 – 1942)

if I could choose

 

I love spring anywhere,
but if I could choose
I would always greet it in a garden.

~Ruth Stout, (1884 – 1980)

They can be like the sun, words. . .

They can be like the sun, words.
They can do for the heart
what light can for a field.

~St. John of the Cross

love gathered softly to place in her hands

It’s spring again, miraculous spring. Every street in town is lined with flowering dogwood, crab, pear – everywhere, boughs are in riotous bloom. In my gardens, something new unfurls daily. The woods are awash with wildflowers, and all along the driveway, violets gem the grass…

For me each year, the first violets of spring bear on fragile stems the weight of perennial tenderness. I stoop down to hook a finger beneath a bowed purple head. As I study the contour of this familiar face, I’m amazed by the power one simple flower wields over my heart and mind…

From the time I was old enough to toddle off to woods’ edge, I kept my mother in fresh-picked wildflowers. The first bouquets I carried home to her each spring always included several long-stemmed wood violets. One year, when I was seven or eight, Momma sent me off to the woods on a special mission to select only the choicest violets. I returned with dozens of flawless specimens. Together, we washed the flowers, a delicate task. We shook them gently dry and arranged them on clean white dish towels, taking care not to bend or bruise any petals. We snipped blossoms from stems. Then, after using tiny brushes to paint the flowers with a wash of egg whites and water, we sprinkled each one with a shower of sugar crystals.

Later, the house filled with the aroma of angel food cake pulled fresh from the oven. When it cooled, Momma frosted it with a white sugar glaze into which she pressed a pattern of sweet sugared violets. It was simply a vision, that cake, and young though I was, I was limp with the romance of a cake covered in violets…. (Alas, no photos were snapped of that eye-popping confection, but in my heart’s album, it glistens on a page all its own.)

Twenty years of violets bloomed and faded…

Then came a day like no other, a day I could never have imagined when I was a child wandering among the wildflowers – the day I held a newborn flower in my arms, a blossom fresh-plucked from heaven: our first child, our sweet Margaret, a precious baby girl newly home from the hospital, bathed and swaddled and dressed in a long white hand-smocked gown Momma had made for her. Margaret was just a day or two old when I looked from her face into Momma’s eyes and said, “I so look forward to all her firsts – her first smile, her first words, her first steps…”

My gentle mother had more poetic firsts in mind for her granddaughter. She said softly, so softly I barely could hear, “Imagine showing Margaret her first violet, her first star. . .” Momma looked at me, yet somehow right through me as the words fell from her lips. For a heartbeat or two, time stood still for me, just as it does when I chance to read a line of perfect poetry: the words ring and resonate – beautiful, mysterious, fleeting, bells in the wind…

When the snows of winter melted away to reveal Margaret’s first spring, I showed her her first violet with deep emotion. I showed her her first star. Sang her every beautiful song I knew, read her every good book I could find, pointed her toward every lovely thing I could think of, filled her days with as much beauty and poetry and joy and mystery as I could – love gathered softly to place in her hands, like the wildflowers I carried to Momma so many years ago…

As Mother’s Day nears, I have asked myself, what does it mean to mother another soul, to nurture another life? I believe it is to pluck from one’s surroundings the good things, the beautiful, the eternal, the true, and place them in another heart, like a bouquet of violets.

a grand public performance, admittance free

Here in the little woodland hideaway I call home, each morning in April offers a grand public performance, admittance free. The concert hall is a deep ravine whose walls are embellished with the delicate laces of budding boughs. Springtime flora and fauna attend this event in droves – violets select quiet rear seating; showy lilacs drenched in fine perfume lean conspicuously from private balconies; girlish groups of daffodils in fluttery pastels flock to the front; fox squirrels in opulent red-tinged furs slide into the upper gallery.

Almost imperceptibly, the soft curtain of dawn lifts. The concerto begins with a solitary robin’s lilting tune. Sung sotto voce, the haunting notes rise from a darkened stage. This tenderest of melodies is soon joined by the clear, high notes of a cardinal, who repeats the well-loved refrain, “Sweeeet, sweeeet, sweeeet, birdie birdie birdie birdie!” (A tufted titmouse, anxious to assemble all latecomers, whistles with quiet urgency from a shadowy side aisle.) Next appears the simple majesty of plainsong, intoned first by the chickadees, closely followed by a sublime chorus of white-throated sparrows. Lightly layered between these familiar themes are the proficient trills and soul-stirring grace notes of goldfinches and wrens. A blue jay inserts a series of staccato notes. A woodpecker pounds on drums of oak and maple. In a poignant counterpoint at once somber, sad and sonorous, a mourning dove croons its minor descant, the oft-ignored warning that moments flee, days scatter, years vanish. On center stage at last arrives the moment worth waiting for – the house finch’s ravishing solo, delivered to perfection with the combined fervor of Caruso, Bocelli, Renée Fleming, and the fabled Jenny Lind. As the stunning aria fades into silence, the listener is left staggered, breathless, suspended midair in a moment weightless with wonder…

New leaves in the understory lift tiny green hands of praise, offer wave after undulating wave of applause; daffodils exchange nods of heartfelt approval amongst themselves; flowering crabs fling scores of congratulatory rose-tinged petals to the wind.

Right on cue, the rising sun brings up the house lights. With a sudden flick of tail or flash of wing, the stage empties. One by one, the performers take their bows and retire to mossy nests or leafy bowers to rest. Later, they’ll rehearse anew for tomorrow’s dazzling repeat performance.

(You won’t want to miss it. Shall I save you a seat?)

like a flute song forgotten

From barren brown stems to glistening leaf-buds;
from the leaf-buds to snowy virginity of bloom…
It was like a flute song forgotten in another existence
and remembered again.
What? How? Why? This singing she heard
that had nothing to do with her ears.
The rose of the world was breathing out smell.
It followed her through all her waking moments
and caressed her in her sleep.

~Zora Neale Hurston, (1891 – 1960)